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Bondage pants
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Bondage pants or bondage trousers are with , straps, chains, rings and buckles, giving an appearance of a style. They come in a variety of colors and patterns; one of the most common patterns being . Bondage pants also come in a variety of styles, including tight or baggy, long, or .

They are primarily worn by members of youth , including , , and .

The most popular style of bondage pants is the 'original' black style, with white topstitching, although different colored versions including white, hot pink, blue, and green have been made with equally varying colors of topstitching.


History

Origins
They were developed by British designers Vivienne Westwood and in the 1970s . The trousers were made popular by people such as the , Jordan and who originally had to get them from Westwood/McClarens shop SEX, later to become Seditionaries, in World's End, Chelsea, . The original drainpipe design was an anti fashion statement against the of the time. The men's variety tend to feature baggier legs, larger pockets and more metal details such as chains, skulls, mock handcuffs and D-rings while the women's styles are usually more tailored and have less metal hardware decoration than the men's styles but occasionally have details of lace, ribbon or tartan making them seem more feminine.


Further development
In the late 1990s and early-to-mid 2000s, 's signature design that combined the chains and straps of bondage pants with the baggy legs and bright linings of became incredibly popular amongst U.S. teenagers, although they also held some minor popularity amongst college students then in their early 20s, and were worn on stage by members of some , , and bands. Additionally, during that time period this style of -inspired bondage pants became frequently observable among members of the , heavy metal, , and subcultures. Such pants were a popular sell for chain stores such as and Spencer's Gifts, and ranged from observable to ubiquitous at alternative music (especially and Hard Rock) nightclubs and anime conventions prior to a gradual decline in popularity and visibility from the late 2000s through early 2010s.

However, during the early 2020s, they made a comeback due to retro fashion trends like the Y2K trend.


See also

  • Christina Goulding, "Corsets, silk stockings and evening dress: retro shops and retro junkies" in "Time, space, and the market: retroscapes rising" (edd. Stephen Brown, John F. Sherry), M.E. Sharpe, 2003, , pp. 54–74
  • Tavia Nyong'o, "Do You Want Queer Theory (or Do You Want the Truth)? Intersections of Punk and Queer in the 1970s", Radical History Review 2008(100) pages 103-119
  • Angela McRobbie, "British fashion design: rag trade or image industry?", Routledge, 1998, , p. 8
  • Andrew Travers‌, "Ritual Power in Interaction", Symbolic Interaction, Fall 1982, Vol. 5, No. 2, Pages 277–286

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